Correspondence between Bertolt Brecht and Felix Bloch Erben and other materials documenting business aspects of the stage works Die Dreigroschenoper, Happy end, and Die sieben Todsünden, of Brecht and Weill, 1928-1954.

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Correspondence between Bertolt Brecht and Felix Bloch Erben and other materials documenting business aspects of the stage works Die Dreigroschenoper, Happy end, and Die sieben Todsünden, of Brecht and Weill, 1928-1954.

Correspondence (primarily) and legal documents. The remainder of the correspondence consists of three groups of copies of originals or carbons of letters and notes: 1) those pertaining to the 1937 Paris production of Die Dreigroschenoper, including correspondence from Felix Bloch Erben's main office in Berlin to various parties in Paris involved in the production, and from S. Bianchini, agent général de la Société des Auteurs ? 2) correspondence from 1949 from Felix Bloch Erben to Brecht, Universal-Edition (in Vienna), Karl Klammer, and Kurt Weill notifying them of the cancellation of Brecht's contract (Vertriebsvertrag) with them for Die Dreigroschenoper; and 3) a letter from Jacques Companeez in Paris to Paul Martin in Munich concerning the former's adaptation of Happy end as L'ange de Soho. The legal documents are: 1) the contract for Die Dreigroschenoper between Felix Bloch Erben, Brecht, and Weill; 2) a letter from 1929 from the same publisher to Karl Klammer (translator of the ballads of François Villon used in the Dreigroschenoper libretto) agreeing to grant him a share of the proceeds; and 3) a copy of a promissory note to Bertolt Brecht signed by Elisabeth Hauptmann offering to pay him his one-third of the proceeds for Happy end from the two-thirds to be received by her (as co-author of the libretto). Finally, the collection also contains a cover letter and a 1-p. (fragmentary) finding aid for the Felix Bloch Erben-Brecht correspondence (from Fuegi).

Correspondence: 44 items.Legal documents: 3 items.

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Related Entities

There are 4 Entities related to this resource.

Fuegi, John, 1936-

http://n2t.net/ark:/99166/w6815t7m (person)

John Fuegi (1936- ) has been the Clara and Robert Vambery Distinguished Professor of Comparative Studies at the University of Maryland, College Park, since 1992. Fuegi holds a Ph. D. in comparative literature from the University of Southern California. In addition to the University of Maryland, he has taught at the University of Wisconsin-Milwaukee, Harvard University, Wesleyan University, and at institutions in Berlin and Mainz, Germany, and Riyadh, Saudi Arabia. Support for Fuegi's seventeen...

Felix Bloch Erben

http://n2t.net/ark:/99166/w6zs97mt (corporateBody)

Weill, Kurt

http://n2t.net/ark:/99166/w6rr1x51 (person)

As a result of the success of his Broadway musical Lady in the dark in 1941, German-born composer Kurt Weill and his wife, the singing actress Lotte Lenya, were able to buy "Brook House," in Rockland County, New York, moving there during their sixth year in the United States. From Brook House, and a couple of addresses in Los Angeles during his trips there, Weill kept in touch, until a month before his death, with his parents, who had emigrated to Israel in 1935. From the description...

Brecht, Bertolt, 1898-1956

http://n2t.net/ark:/99166/w67082kg (person)

Brecht was a German dramatist and poet. Karl Korsch was a Marxist theoretician. From the description of Correspondence with Karl Korsch, 1934-ca.1954. (Harvard University). WorldCat record id: 122556373 From the guide to the Bertolt Brecht correspondence with Karl Korsch, ca. 1934-1954., (Houghton Library, Harvard College Library, Harvard University) Reyersbach was a pediatrician with special training in endocrinology and rheumatic diseases; she came to the U.S. in ...